![](https://heathweidman.com/wp-content/uploads/2023/11/2011-09-26-Calcium-Carbonite-Tower.jpg)
Reposting pages of The Big Crunch, a webcomic I made during the 2010’s. This one is originally from September 26th, 2011.
Reposting pages of The Big Crunch, a webcomic I made during the 2010’s. This one is originally from September 26th, 2011.
Although its Latin name literally translates to “vampire squid from hell,” the vampire squid is the epitome of misnomers.
For one thing, it exists in an order separate from squids and octopuses, thanks to retractable filaments that allow it to feed on dead plankton and other detritus half a mile below the surface of the ocean.
For another, it is not a vampire in any conceivable way — except maybe for its love of dark, inaccessible depths. In the face of predators, the vampire squid prefers deception and escape over bloodlust.
Perhaps the only shared trait it has with vampires is its propensity for hypnosis. When threatened, it inverts its webbed tentacles to become a gelatinous ball of harmless but foreboding spikes, and its tentacles pulse with blue luminescence to lure hungry jaws away from its vitals.
For better or worse, names define us. Most of us inherit our names with no real agency in the matter, and even if we change them, identity is a hard thing to evade once it’s been established.
In the case of the vampire squid, perhaps this is a good thing. When you are a peaceful scavenger with no defenses, maybe it’s better to perceived by your enemies as an abyssal horror who’s thirsty for blood!
Fear in the Age of Knowledge was a series of surrealist ink and watercolor illustrations I made between October 2018 and March 2019. It started as a response to the year’s Inktober prompts and evolved into an exploration of what it means to be afraid in an era of science, technology, and media.
Reposting episodes of The Big Crunch, a webcomic I made during the 2010’s, every Monday and Thursday. This one is originally from September 22, 2011.
Fear in the Age of Knowledge was a series of surrealist ink and watercolor illustrations I made between October 2018 and March 2019. It started as a response to the year’s Inktober prompts and evolved into an exploration of what it means to be afraid in an era of science, technology, and media.